Archive
IJMSTA - Vol. 6 - Issue 2 - July 2024
ISSN 2612-2146
Pages: 13
Innovative Interpretative Strategies for Expressive Performance in Solo Violin Work
Authors: Axelle Bruyne
Categories: Journal
Abstract - This study discusses the intricate processes involved in the development of musical interpretation, particularly focusing on the creative aspects inherent in the work for solo violin "When Lilacs last in the dooryard bloom'd" by composer Roberto Ventimiglia. Building upon existing research in music psychology and cognitive sciences, this investigation proposes three hypotheses. First, it suggests that musical interpretation extends beyond mere technical proficiency, encompassing nuanced and unique expressions that vary among performers. Second, it suggests the presence of distinct stages, strategies, and creative processes specific to expressive musical work, which have yet to be fully explored. Drawing from cognitive theories of creativity, such as idea incubation and the use of metaphors and analogies, this study aims to shed light on mental activities during instrumental work that occur beyond formal rehearsals. Lastly, the study proposes the development of a methodology to systematically capture and analyze the creative processes employed by the performer during rehearsal sessions. By identifying and understanding these creative elements, this research seeks to contribute to a deeper comprehension of how a musician can craft original and compelling interpretations, bridging the gap between technical proficiency and artistic expression in musical performance.
Keywords: Musical interpretation, Cognitive load, Metacognition, Rehearsal strategies, Learning processes, Acoustic environments
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